September 2012 ArticlesSeptember 2012 Articles

10 Sep

Real World Concert Photography

Photoshop World - Pre-Conference Class

I'm most comfortable with subjects that don't move much, preferably shooting with a tripod and lots of time to compose my image. I will never be a concert photographer, or an event photographer or even a portrait photographer.

So why did I pay an extra $199 to take the pre-conference, Real World Concert Photography class at Photoshop World, taught by professional photographers Alan Hess and Scott Diussa? Because I wanted to have fun, and I wanted to challenge myself with something I am not very good at. 

It was a challenge all right. I made pretty much every mistake possible. Here's what I learned.

Exposure

We were told to shoot in the manual mode starting with these settings, ISO 1600, f/2.8, 1/250 sec, using the spot meter mode to read the light on a subjects face and adjusting the shutter speed to balance the exposure. This worked great. My exposures were overall excellent, so I'll give myself an 'A' for this part of the lesson. 

Everything started to fall apart after that.

Focus

I shot with a single point auto focus. The goal was to pick my subject, focus and then shoot. I ended up with too many images like this one, and a whole lot more that were close, but not perfect. Too quote Scott Kelby, I did not shoot tack sharp images, not even enough tacky sharp ones.

Scott Kelby
Scott Kelby 

Microphones

Microphones cast ugly weird shadows. They can ruin a good image. I have lots of examples to prove it.

Kalebra Kelby
Kalebra Kelby

I might have liked this image if it wasn't for the dark shadow dribbling down Kalebra's chin.

Composition

The basic tips for good composition are, pay attention to the background, look for distracting objects around the frame edge and don't crop off the guitar neck.

I was going for the arty, close up, narrow depth of field, detail shot. I remember thinking this looked awesome when I took the picture.

Scott Kelby close up
Felix Nelson and Scott Kelby

It's too bad I didn't take a look at the edges of my frame. I missed pretty bad, and to make a bad shot worse, the focal point is Felix's shirt, not his hand.

Felix Nelson
Felix Nelson with Scott Kelby on drums

Hey, I got all of the guitar in this one, a cool background and it's in focus. What more could I want?... except maybe the guitar player's head.

Scott Kelby and Felix Nelson
Scott Kelby with Felix Nelson as back up

I don't even know what to say about this one, except that it made me laugh out loud when I saw it. I remember going for the guitar hero look, shooting up into the rafters. I don't remember seeing Felix standing between Scott's legs. I'm pretty sure a guitar hero would not like an image of the bass player between his legs.

The Drummer

Tips for capturing a good drummer shot are; shoot on the down beat so the sticks are in the air, try to get both sticks in the image, wait for the spot light to hit your subject, and try to capture the energy.

Scott Stahley
Scott Stahley

Shooting on the up beat was easy, but I only caught one stick in this shot, and it looks like his arm is growing out of the symbol.

Scott Stahley

I caught both sticks and a good expression on this one. Maybe I can use Photoshop to fix his green flesh and clone out that microphone.

Scott Stahley

I caught both sticks, a great expression and a cool background in this one, but there's that damn microphone again. 

I took 42 frames of Scott Stahley on drums. All of the others suck worse than the ones I shared here.

I photographed Scott Kelby on drums, with pretty much the same results,

Scott Kelby drums
Scott Kelby

or maybe even worse. This looks like Scott is red hot mad and flipping someone the bird, and the focal point is the drum, not his face. Maybe for this shot, that is a good thing.

Lighting

The concert lighting was awesome. There were colorful lights and cool patterns running across everything. I loved how it looked in my view finder.

We had a teaching intermission after the first three songs. During that time I staked out my spot in the far right corner. I loved these lights and certain I was in position to get the best shot of the day.

stage

It didn't work out the way I had planned.

Felix Nelson
Felix Nelson

The light patterns obliterated the band members. This could be titled "Where's Felix?"

Kalebra Kelby
Kalebra Kelby

Blue is sometimes a good color for eye shadow, but never for foundation.

Scott Kelby
Scott Kelby

I thought this shot would be awesome with the smoky background, back lit hair and red columns framing Scott, but I don't think even my Photoshop skills could fix that zebra stripe, skin disease across his head.

RC Concepcion
RC Concepcion

I'm pretty sure RC got a better picture with his phone than I got with my camera.

Distracted by the Abstract

The crazy lights created some fun shapes, colors and shadows on the far left wall. I took a lot of pictures of the wall. I couldn't help myself. This is the kind of image I am naturally attracted to, and I knew they could be good for a possible composite image.

Light patterns

Shadows

The Contest

Nikon sponsors the class. I knew there would be a contest with a camera giveaway. I wasn't sure I would even enter it, but I knew for sure that if I did enter, it would be with a composite image. I had decided this before I even left for Vegas. When Alan Hess told the class, "if any of you Photoshop gurus want to create something, that is fine, just make sure all the images are from today", I figured he was speaking directly to me. That convinced me to make it happen.

I didn't win but I am still proud of my effort. 

composite

I created this in about 2 hours, on a 13" Macbook. The working conditions were less than ideal which was good for me. It made me think quickly and not stress over the details.

The actual winning image looked a lot like this one,

Tony Llanes and Scott Kelby

only much, MUCH better. At least I was in the right place at the right time to capture a winning image. I should be proud of that, right?

A couple shots that don't suck

We learned that sometimes an image needs to be converted to black and white to look good. The colored lights can make some images look really strange. 

Tony Llanes
Tony Llanes

I liked the repeated image of Tony on the screen, but the colors were all over the place. The black and white made this image look much better.

I was also disappointed that the focal point is on the guitar and not his face, but interestingly the black and white conversion really minimized that too.

This may be my best shot of the day. I love the expressions, the background (except the black on the right edge, but I could easily fix that in Photoshop), and best of all it is in focus. Yay!

Tony Llane and Scott Dilussa
Tony Llanes and Scott Diussa

This was shot in the last seconds of the very last song. Maybe I really did learn something.

Seriously, I do feel like the experience made me a better photographer. Thank you Alan and Scott!

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08 Sep

Photoshop World 2012

Artistic Guru Award

 

image of 2 Artistic Guru Awards from NAPP

I just returned from my third Photoshop World with my second guru award. It still doesn't feel real. I'm struggling to wrap my brain around the experience and to find the right words to describe how I feel. 

image of guru award with Larry Becker
photo by Chuck Uebele (2012 Best of Show Guru winner)

This week I spent some time reflecting on how much I've changed since my first Photoshop World, two years ago. Through NAPP and Photoshop World I have made so many new friends. I'm now surrounded by creative, talented and passionate people who inspire me, encourage me and challenge me to follow my own passions. 

This is what it's all about. Awards are nice for sure, but the people I have met, and the friendships I have forged mean so much more. 

image of Happiness is a State of Mind
Happiness is a State of Mind - 2012 Fall Photoshop World guru award in the artistic category

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